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Simon Grozyan Grozyan itibaren ملخطاوی، ایلام، İran itibaren ملخطاوی، ایلام، İran

Okuyucu Simon Grozyan Grozyan itibaren ملخطاوی، ایلام، İran

Simon Grozyan Grozyan itibaren ملخطاوی، ایلام، İran

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ONCE UPON A RIVER by Bonnie Jo Campbell begins with description of the natural surroundings in the rural Michigan area where the story takes place and Margo Crane’s interaction with them. Margo is a teenager. Maybe because I’m an adult and teenagers who aren’t my relatives bore me, this wasn’t a good beginning for me. The book continues with Margo’s story. • She’s gorgeous. • She doesn’t talk much. • She is exceptionally good with a gun. • Her grandfather Murray had one of his children, her father, out of wedlock. His other son, Cal, and Cal’s family live right across the Snake River from her family. • She has a beautiful mother who hated the life in rural Michigan so took off, promising to return for Margo, except she didn’t. • Margo lives with her very short father who did work at a metal shop and now works at a grocery store for much less money. That Margo is gorgeous turns out to be a problem. While most would count this as a lucky asset, in her case, it just means trouble. That’s because, in this book, too many grown men in rural Michigan can’t keep their hands off beautiful teenage girls. And Margo says nothing. Her father (who Margo thinks of as Crane, their last name) wants to go to the police in one instance, but she will say nothing. And she continues to say nothing when she should be speaking up, maybe yelling, kicking, and screaming, throughout the book. Many writers use this device, but it is not a good sign. That is, when a character is wronged but refuses to talk about it or defend herself, it seems that the author couldn’t think of a better reason for what happens next. Besides, this device is terribly frustrating and makes the story predictable. Other readers of ONCE UPON A RIVER post mostly praise for the book on the Internet. So I think it must be a good book for some. But it’s not for everyone. My trouble with this book is that it didn’t grab me. That’s because no character, Margo in particular, was given enough depth for me to care about her. If you think, as I do, that this style is more appropriate for a short story, then this book may not be for you.