Arlind Terpeza Terpeza itibaren Limpinwood NSW 2484, Avustralya itibaren Limpinwood NSW 2484, Avustralya

Strangers In Paradise is a realllly amazing comic series. I recommend them to everyone.

Charlotte Bronte reminds us—readers that Shirley is “…something unromantic as Monday morning” (chapter 1). Well I found it true because I see Shirley more as a social novel than a romance. The social background depicts the Napoleonic War and the industrial depression caused by it. This is where I found hard to get to the core of the book because I do not have a wide knowledge about that historical-social background. Another thing that is hard for me to get through is that this book seems to have two lines of plot, one about the industrial depression, the world of the unemployed workers of the lower classes and their fight and protest towards the invention of machine. Another plot tells the friendship between two women—Shirley and Caroline and their conflicted-romance relationship with two men—Robert and Louis. There are too many characters in this book and I found it hard to get engaged emotionally. Some characters don’t appear until the second half or almost reaching the end of the book. The romance part in this story I consider quite ordinary. A simple twisted relationship with a classic-predictable happy ending. However, it’s still an enjoyable read. I found myself flipping the pages fast because like always, Charlotte Bronte narrates her story with beautiful and powerful language that makes you want to go on and on. Another thing that’s interesting is to see the comparison she portrays between her two strong female characters—Caroline and Shirley. Two women with different temperament, personality, and social status form an emotional bound of friendship. Money and social status is always an issue in the Victorian novels. In this story, we can see how those two factors play an important role in love, marriage, happiness and independence. This is a deep story that needs much concentration. I’ve read The Professor and Jane Eyre and so far I’d have to say that Shirley is much more well-crafted than The Professor but still not as much amazing as Jane Eyre. Jane Eyre touched me deeply and still lingers warmly in my heart and mind until now. Unfortunately, I can’t say the same with Shirley. One question that I have in mind is why Bronte decided to give the title ‘Shirley’, when Shirley does not seem to be the only main character in this story. It is interesting to find that the name ‘Shirley’ used to be a common male name in those days that the author here uses as a female name. (Chapter 11). As we now know, ‘Shirley’ is a more common female name nowadays. Probably she implicitly tries to deliver a strong point on gender equality through her character--Shirley. I know I have to read this book again someday just to get more absorbed deeply. I recommend this to anyone who loves Charlotte Bronte.

Can I mention that I have misgivings about this star-based rating system...even that I kinda hate it? I'm giving All's Well four stars, but I feel *much* less enthusiastic about it than I did about Hamlet, a five-star play presented in a frustrating four-star format. So should I add a fifth star to that play, to make clear the distinction? Should I give this one only three? But I *loved,* not *liked* it. Goodreads, please send me ten stars to play with, or half stars to half fill, or something. But back to All's Well, which I have some issues with but ultimately enjoyed re-reading. I especially love when the soldiers speak that hilarious made-up language to trick Parolles into betraying Bertram. Parolles is by far my favorite character, and not just for his wonderful, witty wordplay; it's wonderful to see a "villain" who knows himself and fears his own pomposity, who doesn't actually cause any ill to befall anyone -- who actually serves quite the opposite purpose. And there's this one lovely line by Lavatch (the fool) that lingers: "I am for the house with the narrow gate, which I take to be too little for pomp to enter. Some that humble themselves may, but they'll be for the flowery way that leads to the broad gate and the great fire." All this praise bestowed, I remain a bit perplexed by Bertram, a tad embarrassed by Helena, and *very* confused by the last scene...who knows what? I think I need to see it performed.

Meh. I'm a big Roth fan but this one aimed to shock emotionally more than ... than whatever I'm used to.